Leading comedy Bill Hader hitman Barry He’s back in full force with his much-anticipated third season. When it first aired, some skeptical critics were skeptical that the show’s premise of a killer pursuing a career as an actor could extend to a full half-hour episode, let alone an entire series. But one of TV’s best hits—which managed to be a heart-wrenching black comedy, heart-wrenching drama, and intense psychological thriller all at once—but it was soon taken by those critics—and they’ve been singing since. three seasons in, Barry stronger than ever.
The stunning opening scene of Episode 1, “Forgiving Jeff,” introduced the new season’s theme of forgiveness and the darker version of Barry Berkman reeling from his blood-soaked collapse in a monastery. Not only did Barry return to kill people for money; It’s colder than ever. When one of his agents decides to call off a strike at the last minute because the target’s apology is sincere enough, Barry shoots them both cruelly—not exactly the actions of a man who deserves to be forgiven.
When Barry begins to hallucinate with gunshot wounds to the foreheads of the people he cares about, the guilt of murder casts a shadow over him once again. He approaches NoHo Hank on his rooftop in the middle of the night in a casual “Hey, man” fashion, to ask forgiveness for all the bloodshed. Hank tells Barry that forgiveness must be earned, and that feeling still stuck with him. He repeats this wisdom to Gene Cousineau as he holds him at gunpoint in the desert, at which point Gene tells him frankly (and rightly) to “start earning it!” But he may have gone too far to get forgiveness.
The story revolves around a character who pursues a goal. Forgiving Jeff made it clear that Barry’s goal was to be forgiven by the people he wronged – especially Mr. Cousineau for killing his girlfriend, Detective Moss, when she realized he was a murderer. But after the season premiere focused on Barry’s quest for forgiveness, episode two focused on his inability to win it over. From yelling at Sally to stalking a terrified Jane through the streets of Los Angeles, Barry consistently proves in Episode Two – “Lemonada” – that he is an irreplaceable psychopath.
For the first two seasons, Barry made a conscious effort to be a better person. He really wanted to give up killing and pursue a career as an actor, but he was always held back by Fuches. Season 3 is perhaps the darkest yet, because Fuches is out of the picture and an increasingly disappointed Barry is choosing his own songs to make money. He’s hardly trying to be a functional human being, let alone a good person. He buys flowers for his girlfriend because that’s what he’s supposed to do, not because he really wants to surprise her with a gift.
At the start of “limonada,” the deranged and narrow-minded Barry is convinced that he can earn Jane’s forgiveness if he can fulfill his dreams and launch his acting career. So, he drives around Los Angeles with Jane locked in the trunk, knocking on the doors of casting agents, trying to make it happen. The longer it takes Barry to get the part of Gene, the more empty she will feel. Jane’s landing in an acting job won’t change the fact that the love of his life was needlessly killed.
The role of Dark Barry in Season 3 comes after the horrific Convent massacre in the Season 2 finale. In an attempt to kill Fox, Barry massacres a building full of gangsters – including those he trained to shoot. This carnage seems to have been the breaking point for Barry. Throughout the series, the book identified key moments that harmed Barry’s humanity: primarily when he was in the Marines and escaped by killing an innocent civilian he believed had shot his friend, and when Detective Moss was killed to find out. his double life. But the monastery massacre appears to have been the straw that broke the camel’s back.
By the end of “limonada”, Barry was able to secure an acting role for Gene. But the fact that it’s part of the background doesn’t have streaks highlights the disparity between the depravity of Barry’s crime (and the enormity of the emotional burden Jane has caused) and the waning of his gesture of apology. Within minutes of doing his poor good deed, Barry threatens to kill Jane’s son and grandson to prevent him from calling the cops. In the last scary scene, Barry forces Jane to tell him he loves him.
The show has telegraphed from the start that Barry is an irreparable monster. He’s a self-loathing monster, but he’s still a monster by nature. The writers of this show always have something completely unexpected up their sleeve, so Barry will likely earn a refund by the end of the series. But, at least in his initial attempts, he was getting it wrong.
About the author